Harnessing the Wild Horses of Neurosis

Abstract

Developing organizing principles for training actors in improvisational forms, Worley turns to Asian philosophies and Tibetan Buddhism for contemplative approaches and some hints at alternatives to the usual audience/actor relationship.

Keywords

Improvisation for actors, Contemplative Performance, Meditation, Buddhism

How to Cite

Worley, L., (2021) “Harnessing the Wild Horses of Neurosis”, Performance and Mindfulness 4(1). doi: https://doi.org/10.5920/pam.963

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Authors

Lee Worley (Naropa University)

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Creative Commons Attribution 4.0

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This article has been peer reviewed.

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