Abstract
Developing organizing principles for training actors in improvisational forms, Worley turns to Asian philosophies and Tibetan Buddhism for contemplative approaches and some hints at alternatives to the usual audience/actor relationship.
Keywords
Improvisation for actors, Contemplative Performance, Meditation, Buddhism
How to Cite
Worley, L., (2021) “Harnessing the Wild Horses of Neurosis”, Performance and Mindfulness 4(1). doi: https://doi.org/10.5920/pam.963
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